My coat wasn’t quite warm enough, but I hardly cared. Perched on my rock, it was not the bite of the wind that took my breath, but the blue of the water stretching for miles before my feet.
Duluth, Minnesota is an old industrial town. Perched on the Westernmost tip of Lake Superior, it’s an important harbor and port for ships bringing goods and services across the Great Lakes. Before settling to soak in the view, I had the pleasure of watching one of the enormous freight ships slip into the harbor, skirting gracefully under the iconic lift bridge. Strolling along the boardwalk, old manufacturing warehouses and mills (now hotels, shops, and restaurants) on one side and, on the other, the endless lake. I’ve been coming to this city since I was a little girl. The boardwalk, the worn brick buildings, the lake–they’re all part of me.
My nose was beginning to run, but I perched along the shore anyways. In that moment, soaking in the beauty of the sunlight glistening on the waves, a deep peace settled over my spirit.
The past few weeks have been a torrent of upheaval–from persisting unhappiness to my job to arranging to leave the country in January to terrorist attacks and political strife.
It felt so good to get away, to sleep in a bed twice the size of my own, to eat pizza in front of a hotel TV as my brother gushed about Star Wars. It felt good to look out my window and see city, not forest or fields. It felt good o walk along the boardwalk, to sit on the rocks, to watch the ships come into harbor.
It blows me away how crazy this world is. Things are always changing and I am no exception. I don’t know what the adventures ahead have in store. I don’t know how my experiences will shape me and who I will become. This both terrifying and liberating.
I can’t help but think of the quote from which this blog is named:
“It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.” J.R.R. Tolkien
Moments like these ones, silently dwelling in the places that have known me for so long, give me the courage to take that leap. The peace that dwells in my innermost being gives me the strength to see what’s out in the world and discover who I’m going to be next.
This weekend, I visited Middle Earth via the silver screen for the last time. To say I’m a Tolkien fan is an obvious fact. I mean, I DID name my blog from one of his lines.
WARNING: THIS POST CONTAINS SOME SPOILERS
I remember my first exposure to The Hobbit. I was six or seven years old and we rented the old 1970’s cartoon. It was creepy, kind of terrifying, but my brothers and I enjoyed it enough to delve further into Tolkien’s world.
In fifth grade, I read the Lord of the Rings for the first time. The movies were coming out around this time and I followed them religiously. Despite differences from the books, I adore the film versions. I have them memorized. I listen to the original trilogy on audiobook every summer.
The main difference between the Lord of the Rings and Hobbit fanchises is that the original trilogy came out when I was still in my formative years. I was an excited child, ready to eat up anything Peter Jackson dished out. As I grew older and learned to see the books and movies as different entities, I continued to love them out of childhood nostalgia. The Hobbit, however, is different.
The first time I ever read The Hobbit was at the age of ten. I was in fourth grade. Mr. Achartz, my teacher, read it aloud to us. I had a copy and followed along. I fell absolutely in love. Ever since, I’ve been reading and rereading the children’s story to the point where I don’t even need the words for the story to appear in my mind.
My main issue with The Hobbit movies is that I’m WAY too intimate with the source material. Not only did I grow up on the story, but it’s something I’ve put a great deal of academic thought into. Last fall during my term abroad, I wrote a ten page final essay on the uncanniness of Mirkwood that not only scored the best grade possible, but took first prize in the annual essay contest in my university at home. The novel’s themes, centering around the idea of home, fascinate me and hold my heart.
It’s been incredibly painful, to be honest, watching the world eat up the film versions. I enjoyed the first one well enough, but was absolutely devastated by the second. Peter Jackson mutilated my beloved story. The characters come and go to and from all the right places, but the events that transpire are totally different. I was heartbroken by this.
Going into the final version, to say I had expectations would be a lie. I didn’t even watch any of the trailers, to be honest. I knew that the film would never match my idealistic childhood imaginings. So I didn’t expect it to. I went into The Battle of Five Armies with a mindset of detachment–these weren’t my beloved characters. This isn’t my beloved story. It’s an adaptation, a version that is not my own.
Having this mindset helped a LOT. I actually really enjoyed the movie. The pacing, of course, was really weird. One of the finest moments of the novel is when Bard slays Smaug, which happens in the first ten minutes. Most of the movie is focused on the battle and resolving Thorin’s issues with pride and, as the movie calls it, “dragon-sickness”.
There were things I really enjoyed.
Smaug, for one, is absolute and total perfection. It’s a shame his role is cut so short. Benedict Cumberbatch is incredible.
Once I pushed aside the weirdness of the Tauriel/Kili thing, I was able to actually cheer for the cross-species couple. (Although I’m still miffed that they actually created a freaking awesome female elf and the stupid studio only allowed her existence if she was part of a love triangle. WOMEN DON’T ALWAYS HAVE TO BE IN LOVE IN MOVIES. Rant over.)
I also really enjoy Martin Freeman’s portrayal of Bilbo, especially his weird little twitches. It’s been fun seeing Bilbo grow and evolve as a character, finding his courage and facing down deadly foes. But, through those little movements, Freeman conveys that deep down, Bilbo is not at home. He isn’t comfortable. He belongs in the Shire, in his armchair with a cozy breakfast and a large stock of pipeweed.
I also am head-over-heels in love with Lee Pace’s Thranduil. He’s one of the most arrogant, (insert many profanities here) characters I’ve ever encountered. And I love it. Oh my goodness. The internet has done some beautiful things with this character.
I also pretty much adored Legolas throughout the entire film. But that’s mainly because I don’t take Orlando Bloom seriously. Every time he does something, I turned and obnoxiously whispered to my older brother, “Legolas does what he wants!” He never listens to his father, never follows orders. Out of nowhere, he opens up to Tauriel about not knowing his mother. And at the end, he dramatically announces to his father that he isn’t returning to Mirkwood. To which Thranduil goes, “Okay cool, just so you know, your mother did love you.” At this point, I whispered to Joe (my brother), “So all this time, Legolas just had serious mommy issues.” And he goes, “And now he’s going on the Middle Earth equivalent of a three-month backpacking trip in Europe to find himself.” It’s fun not taking Legolas seriously. (Because even in the original movie trilogy, all he does is point out the obvious.)
There is certainly a great deal more to say and there are a lot of things I could complain about, but I’m trying to be better at not being a total elitist English major snob. So as far as movies go, it is an entertaining and enjoyable one. I will leave it at that and go read the book.
What are your thoughts/opinions on the movies? Love them? Hate them? Tell me about it in the comments!
Her first home was a cottage by the sea that is no longer there.
The wafting of her afternoon tea rebuilds the grey stones. Once again a knobby-kneed kid, her mam fussed fussed fussed (How did you manage to get seaweed in yer hair? Don’t drag yer dirt into the gaff. I told ye not to get yer new boots wet, ye gimp!) when the light sunk beneath the silver horizon and she traipsed up the dirt path clutching treasures of wave-molded pebbles.
What makes home home?
In the narrow halls of the Dublin flat, Mam’s shrills bounded off cardboard walls and she dreamed of the grey stone cottage. Boring her face into the too-flat pillow, she imagined the constant press of waves pounding. pounding. pounding.
Where did home go?
She likes to touch things that are old. One time, she brought her antique copy of The Victorian Catelogue of Household Goods to lecture, in case her students were interested. “Just look at all the pointless stuff they would buy just because they could!” Pages of perfume bottles, china, porcelain vases, foot scrapers, candlestick holders, chitzy busts of Prince Albert. “Why did they need all this crap?!”
Why? How does this make a home?
Her favourite part of day is right before curtains are drawn—when windows are lit, but not yet covered. She paces past in the winter mist beneath a black umbrella, her red beret clinging to the coils of her springy hair for dear life, observing the houses of strangers. Her round blue gaze is meticulous—noticing everything from the IKEA couches to the Turner prints on the walls to the stained doily on the end table. She never needed to own a telly—not when the houses of London play the best program of all at five each and every night. Behind those golden squares run the story of life—an endless stream of coming and going, sitting and standing, leaving and—
What makes a home homely?
The stone cottage was gone when she came back for it.
How heartbreaking it is for all those memories—warming wind-beaten hands over the fire. . . porridge over the old stove . . . that one spot that leaked after an evening storm, no matter how many times Da patched the roof . . . the plink! plink! plink! of droplets filling the rusty kettle . . . to be gone.
I’m getting this piece workshopped in my writing class tomorrow, so I thought I’d share. It’s actually a piece of non-fiction. Who is Jane? She was my literature professor when I studied in London and all these details are based on real information.
That’s right, I write imagined stories about real people. Watch out… you could be next.